Battlestar Galactica is, apparently, a favourite television show of the denizens of the so-called “blogosphere” – especially among American “liberals” and the “theoretical” left. The latter of which I am, apparently, a member. Consequently, it seems imperative that I catch up on the best show taking place in space since Firefly. (Another show I didn’t watch when it was on TV.) Hence, a week or two ago I downloaded the first season and began watching it on the computer. The quality, however, was too low to bear, so, when I saw it at Wal-Mart at a reasonable price (I was actually in the section to contemplate the purchase of X3 – I didn’t get it), I decided to pick it up.
Since then, I have re-watched the pilot (rewatched insofar as I squinted through it on the computer screen) and the first couple of episodes; viz, “33″ and “Water.” Chances are, instead of doing work, we’ll watch “Bastille Day” and “Act of Contrition” later this evening. Apparently the present season, the third, has angered the American conservative “brigades” through the sympathetic portrayal of human suicide bombers in the first episode. “Moral equivalency,” apparently. They are, apparently, also shocked at the sudden “new” politics of the series – something they, apparently, didn’t see from the very beginning.
Of course, conservatives aren’t alone in this myopia: the American liberal “blogosphere” is just as guilty of lax viewing. None other than blogosphere superstar, Scott McLemee, can write the following:
Another of the show’s defining tensions is that between military and civilian authority. It raises the question of what elections might mean in an extreme situation—a “state of exception” in which the legitimacy of constitutional democracy is itself in doubt.
The following comments to his post are, quite predictably, not much more interesting.
All the same, the show presents some interesting theoretical questions, most importantly, it is – or, at least can be read as, an examination of some of Schmitt’s more enigmatic comments; i.e., those strange comments in The Concept of the Political, among other places, on aliens. Some things worth considering:
- An absolute outside to human politics. What becomes of politics when humanity as such is the subject and agent of politics – or, perhaps more accurately, the recipient of the politics of an absolutely anti-human political subject. This is politics at the extreme.
- Of course, politics requires a particular representation of the political. (How circular.) And representations are never complete. In this case, there is the problem of the Cylons who look, act, feel, smell, etc like humans. While the point of the show is, most likely, something to the effect of ‘anyone can be the enemy, what we should read here is the logic of the Terror. This is, in a sense, governing through fear – and, hence, the ever present danger of tyranny.
- Given that the politics of the show are the politics of extermination – the complete extermination, not of the race (as in biopolitics), but of the species, the show begins beyond the frontiers of our own politics. It isn’t the race – i.e., a subset of humanity – that is the object of politics, but entire species – all of the humans and all of the Cylons. This is an actualization, in a sense, of Bush’s rhetoric.
- Finally, we can return to the standard point: the exception. The quote above locates the exception in relation to rule within the human community and suggests that the exception takes the form of a conflict between military and political power. Between force and power, as it were. Presumably the reference is to scenes, such as those in the pilot, where Roslin asks Adama if he will engineer a “military coup” (are there any other?) against the political government. In response, Adama agrees to a division of command between “fleet” and “military” issues. Roslin is the final authority relative to all ships, but the Galactica and Adama is the final authority on the Galactica, but whose authority over the other ships only exists insofar as there is an actual combat situation. And, in “33″ where Starbuck questions an order to destroy a transport ship that is armed with “nukes” – as though a ship remains “civilian” when itself has become a weapon. The command to destroy the ship – a military decision – comes not from Adama, but from Roslin. The same episode, with respect to a ship carrying “violent criminals,” has Roslin threaten to impose a “ban” on the ship – that is, put it outside “the protection of Galactica’s defenses” – should it mistreat the prisoners “because we aren’t at that” (she ends her line, “yet.”) And, later in “Water”, when Roslin asks Adama to provide troops to quell riots on “civilian” ships during water-shortage riots. Adama here distinguishes between “police” and “military” power pointing out that the “police” is “internal” and the “military” is “external” and that it is bad when the military and the police become the same. He says, and Roslin agrees, that “it won’t come to that.” All the same, knowing full well what they are doing, Adama agrees to dispatch the troops. Let us, finally, remember that Roslin and Adama agree on one thing: there is no war – they have already lost. That is, the exception doesn’t exist in a positive sense, but in a negative sense – it is the refusal or disavowal of recognizing that there is an exception in the first place. This negative exception closes the conflict between Roslin, who wants to engage in rescue efforts to the point of committing suicide, and Adama, who wants to wage war to the point of committing suicide. What is interesting here, is the complete lack of law in any sense, as well as the complete lack of politics. The problem, it should be noted, begins only in space when the planets, the ground of the nomos as it were, are destroyed. This, of course, brings us right back to Schmitt – and Arendt.
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“While the point of the show is, most likely, something to the effect of ‘anyone can be the enemy, what we should read here is the logic of the Terror. This is, in a sense, governing through fear – and, hence, the ever present danger of tyranny.”
So, wrt the Cylons, the point of the Cylons is not merely that they can infiltrate humanity (and thus anyone can be the enemy). The Cylons are themselves faced with the irresoluble dilemma of what *they* are.
You saw the pilot, right?
“Are you…alive?”
“Uh…yes?”
“Prove it.”
BOOM.
Near the end of the second season, this is neatly inverted.
The problem is, I think, a bit more complex. The first inversion takes place in “You Can’t Go Home Again” when Starbuck, speaking to no one really, says to the downed Cylon raider after opening it up, “Are you alive?” The point, of course, is that the Cylon is an inverted human: humans, in order to exist require their machines and, it turns out, Cylons, to do the same, require biological material. As the Marxists like to say: shells and kernals.
Actually, I didn’t think of that one—I saw that episode quite a while ago now. But there’s ANOTHER inversion in the first season, if I remember correctly. Blonde Lady has captured Helo (in the Midsummer Night’s Dream parallel story arc), he’s tied up, and she asks him, “Are you alive?” Since by this point, most of the Cylons are still mechanically replaying their scripts. And gets she gets shot. So, I guess the answer was no. (Am I remembering this scene correctly?)
But the shooter was Sharon, and the question is, is *she* alive?
So that’s at least 3 instances of inverting the “Are you alive?” motif. BlondeLady+Helo, Starbuck+raider, and the one you haven’t seen yet.
Also, the “hesitant chime” music that we hear whenever we discover something interesting about the humaniform Cylons is iniitally called “Are you alive?” on the soundtrack, but that may just be because of where it first appeared in the miniseries.
The scene you are thinking of has the appearance of setting up some sort of plot: Helo is “captured” by Six and a centurion and then “Boomer” rescues him. They go to find “her” Raptor, but it too is captured, so – conveniently – they pick up the signal from a beacon and go to Caprica City in search of it. Anyway, while making, ironically enough, toast, two centurions find him, “Boomer” appears during the fight, and, when it is over, she is gone. But Helo is left with a storehouse of weapons. Throughout it all, Six and “Doral” comment on how good “Boomer” is at their deception – whatever it may be. So, yes, the shooter is “Sharon,” but not the one on Galactica, but, rather, another incarnation.
So far, almost halfway through the first season, there is Six and office Armistice Station, Six and Helo, Starbuck and the raider. It appears that it is always Six who asks the question, thus, presumably, creating a parallel of some sort between Starbuck and Six. Leoben and Doral models don’t seem to ask the question. Yet, of course.
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[...] Theoria: Let us, finally, remember that Roslin and Adama agree on one thing: there is no war – they have already lost. That is, the exception doesn’t exist in a positive sense, but in a negative sense – it is the refusal or disavowal of recognizing that there is an exception in the first place. [added: datetime=2006-10-16 | T14:29] [...]
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